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Rhytm'n'Blues. Musical style. DJ information blog. The phrase rhythm-end-blues appeared in the early 40th, and serve to describe a black American pop music, is a rhythmically accented "entertainment, non-blues. In those years the phrase "rhythm-end-blues" unsounded simply replaced the term "race music" as the beginning of the twentieth century white Americans called black blues variation. In the second half 50th rhythm-end-blues came under further "fragmentation" in the soul, funk and later - disco. A compact black communities (in contrast to the traditional Big Band) entered into territory traditionally taken by white pop performers - in the manner of "new black groups" prevailed typical instrumental jazz swing, while vocalists gravitated to the classic blues stilistke. Thus, like the blues, rhythm-end-blues has become a vital link between big-band 40th, big groups of 50-bit late - and executing the first rock'n'roll. The earliest rock 'n' roll is often a rhythmically arrange versions of classic rhythm-blues-end - a good example of this type of arrangement can serve composition Roy Brown, "Good Rockin 'Tonight", specially adapted for the manner and style of Elvis Presley. Strangely enough, in rock music-end American rhythm-blues have adopted the first British group The Rolling Stones, The Animals, The Kinks and later - The Who, representing a branch, diametrically opposite to that housed pop melodisty The Beatles, The Hollies and the vast majority of new British groups. In the future, rhythm-end-blues has undergone "cosmetic" changes and returned to their homeland. At the end of 60th - beginning 70th British group once again exposed the rhythm-blues-end audit, making it hard-rock base, from which developed many styles, so eventually connect a blues and rhythm-end-blues that today they are virtually indistinguishable rock.
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